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27/10/2021- 23.15 hours - Wednesday - New Delhi
Storytelling
What I learned in my last walk with Asif Sahab, comprises certain elements of storytelling.
The first and most crucial element is Gestures (to make your listener/ audience imagine). When Asif Sahab said " Abhi hum Babar ko Kabul mai rakhte hai" he used his left hand, rotated his wrist, and gestured to take a pause from a story and jumped to the other story, which probably running parallelly somewhere else. And then he started explaining about Ibrahim Lodhi, his uncle Daulat Khan Lodhi. Now, these gestures help the audience to bifurcate one story from another. Without these gestures, your words will fall flat and your story will disappear in thin air.
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As a listener, it was easier for me to imagine that time and era - All the happenings and mishappenings - I could see everything happening in front of me.
(Imagine, Babur, coming with his troop, family, and kin - all the way from Uzbekistan to India. And just with rotation of a wrist, Babur froze in Kabul - not physically though - and, Ibrahim Lodhi was preparing his army of over one lakh men. That's the power of appropriate gestures in storytelling. It strongly induces imagination in the listener's mind.)
The other element is the Language of the storyteller. The words he or she uses adds beauty to the story. There should be an intrinsic value to every word he or she uses. The words should not be everyday words that we use casually. They must tickle the listener's mind so that he or she demands more such words. And yes, It must induce some visual imagination into the listener's mind. The Hindustani language contains innumerable such words which can help you imagine. If I talk about Asif Sahab, Tassavur is my favorite. And using Beharhal often helps my mind to stick to the core of the story, after wandering in different directions. By the way, Tassavur itself means to imagine. (Don't disturb my dear friend google for this).
The last one is an element with which I personally share a bitter-sweet relationship. Bitter, because sometimes it wants to become the main lead instead of providing assistance. Sweet - good storytelling itself makes it sweet. I'm talking about the third and last element I discovered - Facts.
You are roaming in a monument that carries a historical value, and you are telling stories related to a particular period. The facts will undoubtedly add charm to your storytelling - But (ahem!) emotions should always overlap the facts - and the facts should gladly allow emotions to come forward. When facts come forward, the soul of your story is lost.
(The first battle of Panipat happened back in 1526 AD - The soul is lost.
Babur, who came from the lineage of Taimur Lang, was all set with canons, trained soldiers, and yes, charming tactics. The ground of Panipat was all red with blood, as the Babur's army of twenty thousand men defeated over one lakh men of the Lodhi army. The price was not only the decapitated head of Ibrahim Lodhi - Dilli was now in Babur's hands. - I hope it finds the soul again?)
(That's what a twenty-eight-year-old me discovered about storytelling. The twenty-nine-year-old me has discovered a few more things. I will discuss that some other time.
For me, imagination is the key. You can't imagine blank facts. You need a base of gestures, pitch, voice modulation, and whatnot. Just like you can't imagine my devil smile - because you don't have a base. Either you haven't seen me physically, or you might have not given much attention to me. Even if you know me personally... I don't smile devilishly.
Oh Please! )
#Statutarywarning - Storytelling can't be concluded in an article, a single book, or a documentary. It's a stream of cool and refreshing water - flowing and will keep on flowing till eternity... and maybe beyond.
Gratitude, Love, and lots of Happiness Asif Sahab and Delhi Karavan. A lot has been left to listen, observe, and feel. So let's keep on flowing :-)
Love, Laughter, and Peace
Himanshu R Nagpal
Picture credits
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